Based on Adaobi Tricia Nwaubani’s 2009 novel of the same name, I Do Not Come To You By Chance is a comedy-drama directed by Ishaya Bako that looks at the inner-workings of one of the infamous ‘Nigerian Prince’ email scams. Kingsley, played by Paul Nnadiekwe, is a lovable college graduate who seemingly cannot find work anywhere in his town, and … Read More
In spite of a variety of ambiguous themes, Ishaya Bako’s I Do Not Come To You By Chance is a film that inspires empathy in its audience, encouraging viewers to consider the circumstances of the individuals that have wronged them. The film demonstrates how poverty is a difficult cycle to break, and how far people will go to escape it. … Read More
Adapted from the Nigerian novel by Adaobi Tricia Nwaubani, I Do Not Come to You by Chance is a film with an easy to follow, rounded plot that engages audiences from beginning to end. Telling a heartfelt story of poverty, firstborn responsibilities, and familial love in a world surrounded by Nigerian email scams; the film follows Kingley Ibe(played by Paul … Read More
Nigerian fraudulent email scams are revitalized with an air of humor and lightness in Ishaya Bako’s fresh dramatic comedy I Do Not Come to You By Chance. Unemployed graduate Kingsley has always doted on his Uncle Boniface, a sleazy bum-turned-billionaire who orchestrates fraudulent scams to swindle money from naïve victims. The family possesses a strong moral disdain towards the ethics … Read More
In the animated short film Aphasia, directed by Marielle Dalpé, a captivating and multi-layered narrative unfolds, immersing the audience in the perplexing world of aphasia. The film’s narrative approach is a nuanced interplay between the protagonist’s struggle with aphasia and the narrator’s own immersion in this linguistic labyrinth. As we bear witness to the character affected by aphasia navigating an … Read More
Set in and around the Mongolian capital of Ulaanbaatar, Lkhagvadulam Purev-Ochir’s debut feature, City of Wind, is a quintessential tale situating the spiritual conflicts at the juncture between nomadic tradition and global urbanism. At the centrepiece of this dilemma is the young adult protagonist, Ze, who distributes his life between serving as a shaman to his community and being a … Read More
Kaouther Ben Hania’s “Four Daughters” is a cinematographic blend of documentary and fiction, an honest exploration of memory, loss, and the complexity of reality and fantasy. The lines between the two are blurred in the film’s captivating use of cinematography and unique narrative, specifically its semi-fictionalized form, inviting the viewers to navigate a perplexing web of perception and understanding. The … Read More
Kaouther Ben Hania’s newest experimental docu-drama hybrid, Four Daughters, depicts a world of vicious and merciless creatures, ravenous for prey, a world where Olfa Hamrouni’s two eldest daughters are “devoured by the wolf.” In this case, the wolf is emblematic of the Islamic State and the radicalization of her children. It’s 2015, only a few short years following the Tunisian … Read More
A few years back, the news of a single mother, Olfa Hamrouni, losing two of her four daughters, Rahma and Ghofrane, to the influence of ISIS filled the Tunisian national news. In the hybrid documentary Four Daughters, director Kaouther Ben Hania develops a participatory environment with Hamrouni and her remaining two daughters in a processual exercise to come to terms … Read More
Co-winner of the Golden Eye for Best Documentary at this year’s Cannes, Tunisian filmmaker Kaouther Ben Hanja’s docudrama Four Daughters tells the story of Olfa Hamrouni and her four daughters –Ghofrane, Rahma, Eya, and Tayssir— in a desperate effort to understand why Ghofrane and Rahma, in 2015 (aged 15 and 16), left home to join ISIS. To tell the story … Read More
